A R Rahman The Legend

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After MSV the creator and Ilayaraja the pioneer came Rahman the innovator. The 1990s belonged to him. Rahman emerged at a time when technology was a given, and was creating global access to musical sounds from anywhere to anywhere. He was moulded by the age of jingles and music videos, downloads and virtuality.

Rahman is the innovator of what may be described as `Studio music'. It is often critiqued that while Ilayaraja controls the machine, it is the machine that controls Rahman! Harsh as this criticism might be, Rahman's music is the outcome of separately and distinctively worked out multi-track musical phrases and sounds that are subsequently mixed and patched together as one layered musical piece. The lyric is often fitted in.

In contrast to MSV and Ilayaraja's virtuosity, Rahman's music reflects his effort to synergise his musical vision with the possibilities of technology and musical arrangement. His is studio music that does not easily accommodate a sense of the `live'. One is often amused by Rahman's stage shows where the technical sound is cleverly managed, but the singers struggle to cope with their breathless songs simply because the songs were never meant to be sung live. They are musical phrases pieced together for a cinema trend that itself is predominantly cut-and-paste.

What makes Rahman the numero uno of Indian film music? Despite contemporaries like Anu Malik, what has made Rahman the first among equals?

It is clearly a combination of his audio and visual appeal. His musical arrangement is technically excellent and justifies his musical vision. He has the special talent to enhance the digital ambience to produce sound with a three-dimensional feel. He has the ability to evoke energy and mood through a song, and create touching moments through sound. He is intuitive in picking on the right inspiration for the right musical moment, say, Arabic for Hamma Hamma ("Bombay"), Indian raga-pop for Que Sera Sera ("Pukar") or Turkish for Maya Maya ("Guru"). And even if he is not the first to pick on the right inspiration, he will ensure some kind of a `first' — a new voice, a new instrument or just a new turn of phrase. And he is the best at wrapping and delivering sound so that a nation swings to it.

There is the international profile to boot. Rahman packages what is now known as global music. He simplifies the main melody, fuses it with sounds from world music and arranges it skilfully. This has made his music more edible and sought after in the international scene. From the remixed versions of Vande Mataram and the Indian national anthem to the Broadway musical "Bollywood Dreams", Rahman is the mascot for new-age nationalism and international merchandising.

In an era when people see rather than hear music, Rahman is also camera-friendly. He comes across as an eclectic fusion of spirituality and youth. He is casual and yet not informal. He exudes humility and confidence at once. He is the cool dude that the young can identify with, and the elderly find endearing. Along with the likes of Sachin Tendulkar, he has fulfilled the great Indian populist need for a `national hero'

hennai, July 30 - Disc Jockeys and upcoming musicians Khalid and Blaise said Wednesday they are all set to create a remix rap version of 'Thirukkural' under the baton of ace music director A.R. Rahman.

'We had several rounds of meetings with Rahman before he approved the tracks of remixing the couplets with classical music tracks of his score,' Khalid told IANS Wednesday.

'Since Rahman's path-breaking version of the patriotic song Vande Mataram has already appealed to India, under his supervision Thirukkural will win the world,' Blaise added.

Sources close to Rahman revealed that rap artiste Blaaze -, who sang in 'Bunty Aur Babli', has been signed to render the Tamil work into music appealing to all ages and continents.

The singer, whose real name is Lakshminarasimha Vijaya Rajagopala Seshadri Sharma Rajesh Raman, calls himself Blaaze and has achieved repeated success through screenings of his work on television channels.

Incidentally, Blaaze was the first Indian to be featured on VH1 music channel.

Blaaze has also sung in the recent Rajnikant hit 'Sivaji The Boss', besides the Amitabh-Abhishek-Rani Mukherjee starrer 'Bunty Aur Babli'.

Saint Thiruvalluvar, who is believed to have been born 30 years before Jesus Christ, authored 'Thirukkural'.

His 1330 couplets' compendium of Thirukkural is an interpretation of the right and wrong in every aspect of life.

Its philosophy has a global appeal and it has been translated into over 60 languages. The Tamil calendar was named after him.

A.R. Rahman was named the best music director for his score in Guru at the International Indian Film Academy (IIFA) 2008 awards held at Bangkok on June 8. He was also honoured for outstanding achievement by an Indian in international cinema.

Shreya Ghoshal won the honours for the best playback singer (female) for Barso re from Mani Ratnam's Guru. The film also bagged awards for the best background score by A.R.Rahman and best song recording by H. Sridhar.

The best playback singer (male) award was bagged by Shaan for Jab se tere naina from Saawariya.

Veteran Javed Akhtar was named the best lyricist for Om Shanti Om.

Download the latest A.R.Rahman's Release Ada, hindi film songs for free


1.  Ishq Ada - Male Version: A R Rahman

2.  Hawa Sun Hawa: A R Rahman

3.  Gumsum: A R Rahman

4.  Gulfisha: A R Rahman

5.  Meherbaan: A R Rahman

6.  Tu Mera Hai: A R Rahman

7.  Hai Dard: A R Rahman

8. Ishq Ada - Female Version: A R Rahman

Download Chakkarakatti Songs High Quality Mp3. Music done by A R Rahman in the year 2008. Look down for download links.

1.  Chinnamma

2.  Elay

3.  I Miss You Da

4.  Taxi Taxi

5.  Naan Epoudhu

6.  Marudaani


The audio-launch of 'Chakkarakatti', which marks the launch of veteran actor-director K. Bhagyaraj's son Chantanu as hero, was held in the city recently. The film has music be A.R. Rehman.

'Kalaipuli' Thanu is the producer while his son Kalaprabhu will be making his directorial debut with 'Chakkarakatti'. The event was attended by Poornima Bhagyaraj, Saranya and Chanthanu besides Bhagyaraj himself. The audio CDs were released by president of TFPC Rama Narayanan and were received by Karima Begum, Rehman's mother and Poornima Bhagyaraj.

Speaking at the event, Bhagyaraj came down heavily on some frontline heroes who were very adamant in starring in movies directed only by known and 'successful' directors. 'If one were to work only with known faces, there couldn't have been a Bhagyaraj nor could there have been an A.R. Rehman had Mani Ratnam been so adamant in the early nineties' he thundered.

He asked whether these heroes didn't believe in their own star power and acting prowess to carry the film forward. He said that a hero, who has had 3-4 flops in a row can still bounce back with a hit film whereas it would be very difficult for newcomer directors to get another chance if their first film fails to create any impression.
He said he would like to make a personal request to these heroes to commit themselves to act in at least a single movie in a year in a newcomer's film. By that way, many upcoming directors would be benefited.

While one might not find any fault with Bhagyaraj's view, it may not be out of place to mention that in the cut-throat world of Tamil films, heroes too have their own justification in not willing to go with a newcomer as a director.

These heroes normally don't do more than two films in a whole year; if one of them by a newcomer miserably flops, it might prove to be a major setback for a leading hero in the stiff competition he is facing now. In that scenario, the heroes need to be extra-careful in deciding about their directors to further their own careers, if not for anything else. And, there are a few new directors, who have failed to make use of the opportunities given by the leading actors.

Music maestro A.R.Rahman has given some really diverse music this year. While he started the year with Ashutosh Gowariker's period film Jodhaa Akbar, he surprised everyone with the young and peppy tunes which he composed for Aamir Khan Productions' Jaane Tu…Ya Jaane Na.

If you think that's all you get to hear of Rahman this year, then you are wrong. While his music for Subhash Ghai's magnum opus Yuvraaj is being awaited with bated breath, he is also composing the music for Aamir Khan's Ghajini.

And for all you die-hard Rahman fans, there is some more good news. The music maestro has also been roped in by Shree Ashtavinayak Cine Vision Ltd. to compose the music for their multi-starrer Blue. Blue has been in the news recently as major portions of the film featuring actors like Akshay Kumar, Sanjay Dutt, Lara Dutta, Zayed Khan and Katrina Kaif were shot in the exotic locations of Bahamas. With Rahman coming into the picture this adventure ride only gets bigger and better.

Kamal Hassan finally signs music maestro AR Rahman for his home production, Marmayogi . It is going to be Kamal Hassan’s next venture after Dashavtaram . Kamal himself will co-produce, direct and act in this film.

Rahman was in Mumbai for a short visit, when he revealed his next venture. A smiling Rahman in a black suit discloses, “It’s strange, but Kamal and I have never worked together. We stay in the same city, work in the same industry, but we have never got an opportunity to work together. But this is an interesting project and I will be working on the tracks as soon as I reach Chennai.”


However there were several rumours doing the rounds about Rahman turning into a film producer. This question actually got the composer to burst out laughing. He retorts, “Me and produce films? When will I compose music if I am dealing with production hassles? Even I have heard that I have approached Aamir Khan and Kamal Hassan to direct a film for me. Well, it is utter rubbish. I am not trying my hands at screenplay either. I will leave that to the experts.”

It can be recalled that before this, Kamal Hassan’s film was backed by Bharat Bala Production along with Adlabs. Though Marmayogi will be made in Hindi it will be dubbed in Tamil and Telugu.

A. R. Rahman has begun composing songs for the Rajini starrer 'Robot'.



Sources close to the music composer say that work has already begun in earnest as director Shankar is keen to started filming this August.

The director is on a location hunting spree while Rahman is busy composing the tunes. With Rajinikanth having completed the shooting for 'Kuselan', it looks certain that 'Robot' will begun in this August.

'Robot', produced by Ayngaran International, will have Aishwarya Rai playing the heroine. The mega-budget movie will be shot in various locations across the globe.

ROJA SONGS HIGH QUALITY MP 3


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1. Puthu vellai Mazhai

2. Kaadal Rojave

3. Rukumani Rukumani

4. Chinna Chinna Aasai

5. Tamizha Tamizha

Dil se re

Jodhaa Akbar (2008) (performer: "Khwaja Mere Khwaja")

Sivaji (2007) (performer: "Athiradee") ("Sivaji", "Balleilakka", "Style", "Athiradee", "The Boss", "Sahana", "Sahara")
... aka Sivaji: The Boss (India: English title: long title)

Guru (2007) (performer: "Ay Hairathe", "Jaage Rahe", "Tere Bin") ("Barso Re", "Ay Hairathe", "Jaage Rahe", "Ek Lo Ek Muft", "Maiyya Maiyya", "Tere Bin", "Baazi Laga", "Shauk Hai", "Dhoom Dhamaka")
... aka Gurukant (India: Telugu title)
... aka Mani Ratnam's Guru (India: English title: complete title)

Inside Man (2006) (writer: "Chaiyya Chaiyya - Bollywood Joint", "Chaiyya Chaiyya")

Rang De Basanti (2006) (performer: "Khalbali", "Luka Chuppi", "Rubaroo") ("Rang De Basanti", "Khalbali", "Khoon Chala", "Luka Chuppi", "Pathshaala" (Part 1), "Pathshaala" (Part 2 - "Be a Rebel"), "Rubaroo", "Tu Bin Bataye")
... aka Paint It Yellow (International: English title)

Lord of War (2005) (writer: "Bombay Theme Tune") (performer: "Bombay Theme Tune")

The Rising: Ballad of Mangal Pandey (2005) (performer: "Al Maddath Maula") ("Mangal Mangal", "Mangal Mangal" (Agni Version), "Mangal Mangal" (Aatma Version), "Main Vari Vari", "Holi Re", "Rasiya", "Takey Takey", "Al Maddath Maula")
... aka Mangal Pandey (India: Hindi title)
... aka Mangal Pandey: The Rising (India: English title)

Netaji Subhas Chandra Bose: The Forgotten Hero (2005) (writer: "Azadi") (performer: "Azadi") ("Desh Ki Mitti")
Swades: We, the People (2004) (performer: "Yeh Jo Des Hai Tera") ("Yeh Tara Woh Tara", "Saanwariya Saanwariya", "Yun Hi Chala Chal", "Aahista Aahista", "Yeh Jo Des Hai Tera", "Pal Pal Hai Bhaari", "Dekho Na")
... aka Our Country (International: English title) (USA)
... aka Desam (India: Tamil title: dubbed version)

Yuva (2004) (performer: "Dhakka Laga Bukka", "Kabhi Neem Neem", "Fanaa")
... aka The Youth (International: English title)

Meenaxi: Tale of 3 Cities (2004) ("Yeh Rishta", "Chinnamma Chilakkamma", "Do Kadam Aur Sahi", "Dhuan Dhuan", "Rang Hai", "Noor-un-ala-Noor", "Cyclist's Rhythm", "Potter's Village")

Tehzeeb (2003) ("Khoye Khoye Aankhen", "Meherbaan", "Aapko Mujhse Gila Hota Na Shikwa", "Sabaq Aisa", "Mujhpe Toofan Uthaye", "I Wanna Be Free")

Saathiya (2002) ("Saathiya", "Aye Udi Udi", "Chhalka Chhalka Re", "Chupke Se", "Mera Yaar Mila De", "O Humdum Soniyo Re", "Naina Milaike", "Mangalyam", "Chori Pe Chori")

Bollywood/Hollywood (2002) ("Extract")
... aka Bollywood Hollywood (Canada: English title: DVD box title)

The Legend of Bhagat Singh (2002) (performer: "Desh MEre Desh")

Yadon ilaheyya (2002) (writer: "Mumbai Theme Tune") (performer: "Mumbai Theme Tune")
... aka Chronicle of Love and Pain
... aka D.I.
... aka Divine Intervention
... aka Göttliche Intervention - Eine Chronik von Liebe und Schmerz (Germany)
... aka Intervention divine (France)

Nayak: The Real Hero (2001) ("Chalo Chale Mitwa", "Shakalaka Baby", "Sooki Sooki Roti")

Lagaan: Once Upon a Time in India (2001) (music: "Ghanan Ghanan", "Mitwa", "Radha Kaise Na Jale", "O Rey Chhori", "Chale Chalo", "Waltz for a Romance", "O Palanhaare", "Lagaan - Once Upon a Time in India") (performer: "Chale Chalo")
... aka Lagaan (India: Hindi title: short title)
... aka Land Tax (International: English title: informal literal title)

Zubeidaa (2001) (music: "Dheeme Dheeme", "Main Albeli", "Mehndi Hai Rachnewaali", "So Gaye Hain - 1", "Hai Na", "Pyaara Sa Gaon", "So Gaye Hain - 2", "Chodo Mori Baiyaan")

Fiza (2000) (music: "Piya Haji Ali") (performer: "Piya Haji Ali")

Pukar (2000) (music: "Kay Sera... Sera", "Sunta Hai Mera Khuda", "Humrahi Jab Ho Mastana", "Hai Jaana... Hai Jaana", "Kismat Se Tum Hum Ko Mile", "Ek Tu Hi Bharosa")

Taal (1999) (performer: "Ishq Bina") ("Taal Se Taal Mila", "Taal Se Taal Mila" (Modern Remix), "Kahin Aag Lage", "Ramta Jogi", "Ni Main Samajh Gayee", "Nahin Saamne Tu", "Ishq Bina", "Kya Dekh Rahe Ho Tum")
... aka Thaalam (India: Tamil title)

Mudhalvan (1999) ("Azhagana Ratchashiyae", "Kurukku Chiruthvale", "Mudhalvanae", "Shakalaka Baby", "Ulundhu Vithakkaiyilae", "Uppu Karuvadu")
... aka Oke Okkadu (India: Telugu title: dubbed version)

Dil Se.. (1998) (performer: "Dil Se Re") ("Chal Chaiyya Chaiyya", "Thaiyya Thaiyya", "Jiya Jale, Jaan Chale", "Dil Se Re", "E Ajnabi", "Satrangi Re")
... aka From the Heart (USA)
... aka Prema Tho (India: Telugu title: dubbed version)
... aka Uyire (India: Tamil title: dubbed version)

Daud: Fun on the Run (1997) ("O Bhavre", "Zahreela Pyar")

Minsaara Kanavu (1997) ("Awara Bhavre")
... aka Merupu Kalalu (India: Telugu title: dubbed version)
... aka Minsara Kanavu (India: Tamil title: alternative transliteration)
... aka Sapnay (India: Hindi title: dubbed version)

Fire (1996) ("Bombay Theme" (1995), "Ek Ho Gaye Hum Aur Tum" (1995))

Bumbai (1995) ("Bombay Theme", "Antha Arabi" (Hindi: "Ek Ho Gaye Hum Aur Tum"), "Kannalanae" (Hindi: "Kehna Hi Kya"), "Kuchi Kuchi", "Uyire" (Hindi: "Tu Hi Re"), "Poovukku Enna" (Hindi: "Kuch Bhi Na Socho"))
... aka Bombay (India: English title)
... aka Bombayi (India: Telugu title: dubbed version)

Rangeela (1995) (performer: "Mangta Hai Kya") ("Tanha Tanha", "Hai Rama", "Mangta Hai Kya")
... aka Full of Colour (USA: TV title)

Roja (1992) ("Roja")
... aka Roja (India: Malayalam title) (India: Telugu title: dubbed version)
... aka The Rose (International: English title)

This page presents a list of awards and nominations awarded to film composer and instrumentalist A. R. Rahman.
2000 - Padma Shri (India)
National Film Awards (India)
1993 - National Film Award for Best Music Direction - Roja
1997 - National Film Award for Best Music Direction - Minsaara Kanavu
2002 - National Film Award for Best Music Direction - Lagaan
2003 - National Film Award for Best Music Direction - Kannathil Muthamittal
Filmfare Awards South (India)
1993 - Filmfare Best Music Direction - Roja
1994 - Filmfare Best Music Direction - Gentleman
1995 - Filmfare Best Music Direction - Kadhalan
1996 - Filmfare Best Music Direction - Bombay
1997 - Filmfare Best Music Direction - Kadhal Desam
1998 - Filmfare Best Music Direction - Minsaara Kanavu
1999 - Filmfare Best Music Direction - Jeans
2000 - Filmfare Best Music Direction - Mudhalvan
2001 - Filmfare Best Music Direction - Alaipayuthey
2006 - Filmfare Best Music Direction - Sillunu Oru Kadhal
2007 - Filmfare Best Music Direction - Sivaji


Filmfare Awards (India)
1995 - Filmfare Best Music Director Award - Rangeela
1998 - Filmfare Best Music Director Award - Dil Se
1999 - Filmfare Best Music Director Award - Taal
2001 - Filmfare Best Music Director Award - Lagaan
2002 - Filmfare Best Music Director Award - Saathiya
2002 - Filmfare Best Background Score - The Legend of Bhagat Singh
2004 - Filmfare Best Background Score - Swades
2006 - Filmfare Best Music Director Award - Rang de Basanti
He also won a "Filmfare R D Burman Music Debutant Award" for Roja's dubbed Hindi version.
2007 - Filmfare Best Music Director Award - Guru
2007 - Filmfare Best Background Score - Guru

[1]
Tamil Nadu State Film Awards
1993 - Best Music - Roja
1994 - Best Music - Gentleman
1995 - Best Music - Kadhalan
1996 - Best Music - Bombay
1997 - Best Music - Minsaara Kanavu
2000 - Best Music - Sangamam
Zee Cine Awards (India)
2000 - ** 2002 - Zee Cine Award Best Music Director - Lagaan
2007 - Zee Cine Award Best Music Director - Rang De Basanti
2008 - Zee Cine Award Best Music Director - Guru
2008 - Zee Cine Award Best Background Music - Guru
GIFA Awards (Malaysia)
2006 - GIFA Award for Best Music - Rang De Basanti
2006 - GIFA Award for Best Background Music - Rang De Basanti
IIFA Awards (India)
2008 - Outstanding contribution by an Indian in International Cinema
2008 - IIFA Best Music Direction - Guru
2008 - IIFA Best Background Music - Guru
2007 - IIFA Best Music Direction - Rang De Basanti
2002 - IIFA Best Music Direction - Lagaan
2003 - IIFA Best Music Direction - Saathiya
2000 - IIFA Best Music Direction - Taal
Star Screen Awards
2002 - Best Background Music
2007 - Best Background Music- Rang De Basanti
2007 - Best Music - Rang De Basanti
2008 - Best Music - Guru
Vijay TV Awards
2006 - Best Music- Sillunu Oru Kaadhal , Varalaru - The History of the Godfather
2007 - Best Music- Sivaji
Swaralaya Yesudas Award (India)
2006 - Swaralaya-Kairali-Yesudas Award for outstanding performance in music field

Rahman's instant success is owed to his clever usage of Western instruments. His interest in the works of Classical and Romantic period composers, Carnatic composers, early film composers and predecessors K. V. Mahadevan and Vishwanathan-Ramamoorthy of the film industry of Tamil Nadu and others continued through his late teens. He further explored and trained in Carnatic music, Western classical, Hindustani music and the Qawwali style of Nusrat Fateh Ali Khan, in addition to numerous other styles. His interest and outlook in music is said to stem from his love of experimentation.[4][7] As a result, his scores have alternated from songs and themes composed covering a variety of genres, with unconventionally-grouped instruments, and different vocal styles being used and combined together in some of his film soundtracks, to more traditional orchestral themes with leitmotif techniques composed in others. Rahman's works often feature a mix of minimalist songs and evocative, thematic pieces, building on his differing chord progressions and rhythms. He has written scores and songs with new and varied melodic and percussive sounds from instruments of different music systems.

In 1991, Rahman began his own music recording and mixing studio, attached to backyard of his house, called the Panchathan Record Inn. He initially composed music jingles for advertisements, Indian Television channels and music scores in documentaries, among other projects. In 1992, he was approached by film director Mani Ratnam to compose the score and soundtrack for Ratnam's Tamil film Roja. The debut led Rahman to receive the Rajat Kamal award for Best Music Director at the National Film Awards, the first time ever by a first-time film composer. Rahman has since then gone on to win the award three more times (for his scores for Minsaara Kanavu (Electric Dreams, Tamil) in 1997, Lagaan (Tax, Hindi) in 2002, Kannathil Muthamittal (A Peck on the Cheek, Tamil) in 2003, the most ever by any composer.[5]

Roja's score met with high sales and acclaim, in its original and dubbed versions, bringing about an effective transformation in film music at the time, and Rahman followed this with scores for films including, among others, Bombay, Kadhalan, Indira, Minsaara Kanavu, Muthu and Love Birds, which gained him notice. His soundtracks gained him recognition in the Tamil film industry and across the country for his versatality in classical, folk, jazz, reggae, soft rock and other styles in his pieces. Rangeela, directed by Ram Gopal Varma, marked Rahman's debut in Hindi films. Many popular and superhit scores for films including Dil Se and Taal followed. The sales of these albums prompted several film producers to take film music more seriously.

Rahman's work is also unique in the fact that his collaborations with some film directors have always resulted in successful soundtracks. In particular, he has worked with Mani Ratnam on ten films until 2006, all of which have been musical hits. Also notable is his collaboration with the director S. Shankar in the films Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Nayak, Boys and Sivaji.

His first movie album Roja was listed in TIME's "Top 10 Movie Soundtracks of All Time" in 2005.[6] Rahman continued to record frequently in his studio, the Panchathan Record Inn. In 2005, a newly developed recording studio, attached to the Inn called A.M. Studios was opened. It is considered to be the most developed, equipped and high tech studio of Asia. In 2006, Rahman launched his own music label, KM Musiq. Its first release was his soundtrack to the film Sillunu Oru Kaadhal which it released worldwide, in August 2006. His latest work includes Saathiya, Rang De Basanti, Sillunu Oru Kaadhal, Guru, Varalaru - The History of the Godfather, Sivaji: The Boss, Azhagiya Tamil Magan, Jodhaa Akbar, Jaane Tu Ya Jaane Na* Sakkarakatti and ADA: A Way of Life . Rahman has also scored for the movie Provoked, co-scored Elizabeth: The Golden Age,. He is a recipient of the Padma Shri award from the Government of India.

Chennaiyil Oru Mazhaikalam (2008)
Puli (2008)
Ghajini(Hindi Remake) (2008)
Dilli 6 (2008)
Main Yuvraj (2008)
What Is Cooking? (2008)
Sultan: The Warrior (2009)
Nairsan (2009)
Exclusion (2009)
Dhun (2009)
Chamki Chameli(2009)
Manavar Dhinam (2009)
Marmayogi(2010)
Robot (2010)
Blue (Announced)
What's Your Raashee? (Announced)
Ponnar Shankar (Announced)

as Music DirectorRoja (1992)
Yodha (1992)
Uzhavan(1993)
Thiruda Thiruda (1993)
Pudhiya Mugam (1993)
Gentleman (1993)
Vanryryewryedicholai Chinnaraasu (1994)
Super Police (1994)
Pudhiya Mannargalyhery (1994)
Pavithra (1994)
May Madham (1994)
Kizhakku Cheemayile (1994)
Karuththamma (1994)
Kadhalan (1994)
Duet (1994)
Manitha Manitha (1994)
Gangmaster (1994)
Indira (1995)
Rangeela (1995)
Muthu (1995)
Bombay (1995)
Love Birds (1996)
Indian (1996)
Kadhal Desam (1996)
Fire (1996)
Mr. Romeo (1996)
Anthimantharai (1996)
Minsaara Kanavu (1997)
Iruvar (1997)
Daud: Fun On The Run (1997)
Ratchagan (1997)
Mona Lisa (1997)
Jeans (1998)
Dil Se… (1998)
Earth (1998)
Doli Saja Ke Rakhna (1998)
Kabhi Na Kabhi (1998)
En Swasa Kaatre (1999)
Jodi (1999)
Padayappa (1999)
Taal (1999)
Takshak (1999)
Kadhalar Dhinam (1999)
Pukar (1999)
Sangamam (1999)
Mudhalvan (1999)
Taj Mahal (2000)
Alaipayuthey (2000)
Fiza (2000) (1 song)
Kandukondain Kandukondain (2000)
Rhythm (2000)
Thenali (2000)
Zubeidaa (2000)
One 2 Ka 4 (2001)
Nayak: The Real Hero (2001)
Love You Hamesha (2001)
Star (2001)
Lagaan (2001)
Parthale Paravasam (2001)
Alli Arjuna (2001)
Kannathil Muthamittal (2002)
The Legend of Bhagat Singh (2002)
Baba (2002)
Kadhal Virus (2002)
Saathiya (2002)
Udhaya (2003)
Naani (2003)
Parasuram (2003)
Boys (2003)
Enakku 20 Unakku 18 (2003)
Kangalal Kaithu Sei (2003)
Tehzeeb (2003)
Warriors of Heaven and Earth (2004)
Lakeer - Forbidden Lines (2004)
Meenaxi: A Tale of Three Cities (2004)
Aayitha Ezhuthu / Yuva (2004)
New / Nani (2004)
Dil Ne Jise Apna Kahaa (2004) (3 songs)
Swades (2004)
Kisna - The Warrior Poet (2004) (1 song)
Netaji Subhas Chandra Bose: The Forgotten Hero (2005)
The Rising - Ballad of Mangal Pandey (2005)
Anbe Aaruyire (2005)
Water (2005) (5 songs)
Rang De Basanti (2006)
Sillunu Oru Kaadhal (2006)
Varalaru - The History of the Godfather (2006)
Guru (2007)
Provoked (2007)
Sajni (2007)
Sivaji: The Boss (2007)
Azhagiya Thamizh Magan (2007)
Elizabeth: The Golden Age (2007) (with Craig Armstrong)
Jodhaa Akbar (2008)
Al Risalah (1 song) (2008)
Jaane Tu Ya Jaane Na (2008)
ADA: A Way of Life (2008)
Sakkarakatti (2008)

He made an album Vande Mataram (1997) on India's 50th anniversary of independence to immense success. He followed it up with an album called Jana gana mana, a conglomeration of performances by many leading exponents/artists of Indian classical music. In addition to writing jingles for ads, he has composed several orchestrations for athletic events and T.V. and internet media publications, documentaries and short films.



Vande Matharam Composed by A R Rahmaan





India's national Anthem Composed by ARR